Michael Jackson and Farah Fawcett: Representatives of a Different Time

I’ll go ahead and file this one in the category of “things I wish I had said but didn’t”…  I recently read a great John Derbyshire observation (most of them ARE great) the other day where he succinctly and accurately made the following comments about the deaths of Michael Jackson and Farah Fawcett: 

“Jackson, like Fawcett, was a relic of the time when we were a single nation, listening to the same pop songs, going to the same movies, sticking the same babe posters on our bedroom walls, laughing at the same jokes, even giving our kids names from a common stock. Whether Jackson should be extravagantly mourned or not, I leave to you to decide; but that era of national-cultural unity surely should be. Requiescat in pace.”  Read the entire entry here.

He’s right.  We’ve become so specialized in the music we listen to, in the sports we play, in the television shows we watch, etc.  When I was younger, there was pop, rock, rap, and oldies on the radio; We played baseball in the summer, football in the fall, basketball in the winter, and so on; There were a handful of things to watch on network television, and on cable, we had ESPN when it seemed that they were showing 24 hour coverage of Australian Rules Football, plus we had MTV which actually used to play videos.  I know my parents would laugh at the number of choices that I’ve laid out already, but compared to what is available now, that was IT.

These people didn’t have to pitch reality shows to Lifetime Networks and have some dopy crew follow them around with cameras and microphones so that we could sit around saying, “why are we watching these no-talent ass-clowns”?  No, these people were stars because, in a pool of entertainment so limited, not in terms of ability or creativity, but in terms of sheer depth, these people naturally stood out, and had somewhat of a captive audience.

Whatever you think about someone like Michael Jackson, what with all of his eccentricities and his bizzare and downright disgusting behavior, he along with Farah Fawcett represented a time that, for better or worse, we’ve pushed beyond.  My old poet friend and mentor, Jared Carter, argued a decade ago that we’ve turned into a society of producers of art with fewer and fewer consumers of it, and the net result is that those consumers have more crap than art to consume.  I tend to agree with him as well.

Father’s Day Special – Songs/Bands about Dad

Pic of Homer

Man, the pickings were slim for this one. Dad’s are just as good as mom’s. Why doesn’t anyone write songs about dad’s. And most of the song’s about dad don’t paint him in a very glowing light.

But we, being dads, here at Arizona Premiere Music, like dads. So we did our best to scratch together a list of songs or groups that have some relativity to dads/fathers/papas.

Here you go Padres: (click on the hyperlinked song titles to hear the songs).

1. “Papa Was A Rolling Stone” by the Temptations. I for one have never called my dad “papa”. And my dad was not a rolling stone. Although he really likes the Rolling Stones. And he likes the Temptations. This being my favorite Temp song, when they were in their psychedelic phase. Anyway, maybe not the best representation of what a dad should be, but a cool song nonetheless.

2. “Cat’s in the Cradle” by Harry Chapin. Again, not the best endorsement of dear old dad.  The song is basically about an absentee dad who raises a son who becomes an absentee dad.  Like father, like son.  Good song though.  I better get home to the kids.

3. “Papa Don’t Preach” by Madonna.  Not one of my favorite people on the face of this earth. But I do like some of her music.  Especially when she gets preachy. Or, in this case, telling her dad not to get preachy.  A very endearing song about a conflicted girl who is having a baby out of wedlock, or is waying other options.  Good luck with that. I’m sure Mr. Madonna (Danny Aielo?) was right proud of his little girl when she presented this song to him.

4. “Surrender” by Cheap Trick.  I told you last time we met (have we met?) that I was going to repeat this song on my Father’s Day post.  I never had any Kiss records for mom and dad to roll numbers (?) too, but my mom and dad were alright.  And not really that weird.  So…ya know.

5. “California Dreamin‘” by The Mamas and the Papas.  I told you the pickings were slim for songs about dear old dad.  So I had to stretch and include bands with “Papa” in the title.  Since my dad was born and raised in California, and grew up in the 60’s when this song was at the height of it’s popularity, I included in the list.

6. “Mama Don’t Dance” by Loggins and Messina. Yes, I know, the TITLE of the song doesn’t even include the word “Dad”, “Father”, or “Papa”.  But the chorus does, so that made it work.  Before Kenny Loggins was riding the highway to the danger zone he was part of a duo with Jim Messina (co-founder of Poco) True, my mama didn’t dance, but she and my dad did rock ‘n roll. A lot. Check out the Muppet-like appearance of Mr. Loggins in the linked up video.  Very goofy.

7. “Last Resort” by Papa Roach. I don’t even like this song or the band.  But “Papa” is in the band title.  Come on people write more dad oriented songs!

Well, happy Father’s Day dads.  Rock on!

Proving once again that we do more than just show you the best deals in the Phoenix real estate market; we show you how to get the most out of living in Arizona, and try to help you get the most out of what you are listening to.

Mother’s Day Special – Top 10 Songs about Mom

Marge Simpson

Moms.  None of us would be here without ‘em. I know, my brilliance knows no end.

Their influence, wisdom, and love are with us throughout our lives.  So to honor moms all over the world on their special day I assembled a list of songs that either include the word Mom, Mother, Mama, etc., are about moms, or include some special advice only a mother could dispense.

Maybe your mama don’t dance, but she can still rock ‘n roll.

1. “Mama Said There’d Be Days Like This” by the Shirelle’s – Mom’s have always been good about warning kids about the ways of the world.  This is an old school tune from back in the day for those moms who may be celebrating their…well we won’t say how many mother’s days they’ve celebrated. Just know that they get better with time. Like fine wine:

http://www.youtube.com/watch?v=LBBy04_fUdY

2. “Days Like This” by Van Morrison – Since I was on the “days like this” train of thought I thought I would include this one by Van the Man.  It still packs as much wisdom as the Shirelle’s song, just at much more leisurely, Sunday brunch type tempo. This clip was the only one I could find on YouTube for this song but I found it profoundly fitting for most moms:

http://www.youtube.com/watch?v=JkVXv-vlCvs

3. “Mama Said Knock You Out” by L.L. Cool J – Mama’s say a lot of things don’t they?  Although I can’t ever remember my mom telling me to knock you, or anyone for that matter, out.  Even still, it’s a classic hip hop song from one of my favorite hip hop artists.  I’m sure Mamma Cool J was right proud of her son, Lil’ L.L., when he wrote this:

http://www.youtube.com/watch?v=-7l250E5uM4

4. “Shop Around” by Smokey Robinson and the Miracles – I CAN remember my mom dispensing this advice.  But I think it was when I was looking for a new car, not a girl.  Either way, whether it’s a girl, car, or shoes, it’s sound advice. One of my favorite Motown classics, smooth as silk. I’m doing the “Mashed Potato” as I write and listen to this song, so excse me for anyyy typos:

http://www.youtube.com/watch?v=AQGXa3FiXKM&feature=related

5. “That’s Allright Mama” by Elvis – Can’t ever go wrong with The King in any list.  One of Elvis’s original Sun Records songs. Recorded in 1954 it still sounds great today.  No wonder our Mamma’s (and possibly Grandmammas) were so hot for the dude:

http://www.youtube.com/watch?v=hIWlWA1YTBw

6. “Mother and Child Reunion” by Paul Simon -The story goes that Paul Simon wrote this song after ordering a Chicken and egg dish at a Chinese restaurant.  My memories of this song harken back to helping mom clean the house on Saturday mornings with “Rhymin’ Simon” spinning on the Murphy family turntable.  Sorry, no video for this one.  But I found an audio link. Enjoy. Just click on the song title to hear.

7. “Mama Told Me Not To Come” by Three Dog Night – That aint’ the way to have fun son.  No truer lyrics have been sung on the behalf of moms the world over.  Nancy Reagan should have just used this song in her “Just Say No” campaign.   By the looks of the  Three Dog boys in this clip, it looked like they may not have heeded mama’s advice. By the way, what is that funny cigarette you’re smoking?:

http://www.youtube.com/watch?v=rKaQzQAlNn4

8. “Surrender” by Cheap Trick – This song could be included on my Father’s day list too (and probably will, so look out for it).  Again, mom dispensing some helpful advice, “…she also told me stay away, you’ll never know what you’ll catch.”  Always an awkward moment when mom is lecturing you on V.D.  But just know that she loves you:

http://www.youtube.com/watch?v=pD8ymBR2Ufo

9. “Mother’s Little Helper” by The Rolling Stones – Every mom can relate to the sentiment in the song at one time or another.  Just a little something in the cupboard to take the edge off a day with the kids.  Just make sure the childproof cap is secure.  Again, just click on the song title to hear.

10. “Motherless Children” by Eric Clapton – Maybe not technically a song about moms, but it’s one of my favorite Clapton songs. So I’m sticking with it.  Hey, it has “Mother” in the title:

http://www.youtube.com/watch?v=COo8KiZryM0

Rock on Moms. Happy Mother’s Day.Proving once again that we do more than just show you the best deals in the Phoenix real estate market; we show you how to get the most out of living in Arizona, and try to help you get the most out of what you are listening to.

Cinco De Mayo Special – My Top 5 Mexican American Rock Stars

mexican-sunset

They’ve been a part of the American Rock n’ Roll heritage for almost the entire history of Rock’n Roll.  They’ve added a bit of spice to our heritage and a bit of salsa to our music.  So in honor of the upcoming Cinco de Mayo holiday I thought would list my Top 5 Mexican American Rock Stars.  Why only 5, because it’s CINCO de Mayo stupido!

Numero Uno – Carlos Santana. You were expecting maybe someone else?  carlos-santanaCarlos has graced our stages and airwaves for over 40 years now.  Starting out as a teenage kid playing guitar in the Mission District of San Francisco, Carlos was influenced by a menagerie of musical tastes ranging from Salsa, Jazz and Rock.  Over the past 40 years his music has evolved with the times and he has remained as relevant as ever.  In my opinion though his signature moment was at Woodstock, where he was still a bit of an unknown on the national stage.  Woodstock would change all that.  I’ve added a link to a clip from Woodstock where Santana really rips it up :

http://www.youtube.com/watch?v=XnamP4-M9ko

Numero Dos – Ritchie Valens.  He of “La Bamba” fame.  Unfortunately Ritchies career was cut drastically short in a plane crash in 1959 en route to another gig with fellow rockers Buddy Holly and The Big Bopper.  But Ritchie left a lasting legacy with the aforementioned “La Bamba” and his influence on other hispanic recording artists.  I’ve included a link to his other big hit “Donna” for your listening pleasure:

http://www.youtube.com/watch?v=CHPBObnlmuk&feature=related

Numerolinda-ronstadt Tres – Linda Ronstadt.  Yes, Linda Ronstadt.  Although througout most of her career she was a rocker Ronstadt expressed her hispanic background later in life with her album “Canciones de mi Padre”.  She was a double threat in that she was a pioneer for female rockers and Mexican American pop artists as well

I chose one of her more rocking tunes to exemplify her career:

http://www.youtube.com/watch?v=hr9vKWLgZzo

Numero Quatro – Los Lobos.  They had their biggest hit with a cover of Ritchie Valens “La Bamba” but Los Lobos are much, much, more than that.  Over their thirty plus year careers they’ve done an excellent job of blending Tejano music with pure rock and blues.  One of my favorite tunes by Los Lobos is “Will the Wolf Survive”

http://www.youtube.com/watch?v=w2TGbCIfbFs

cypress-hillNumero Cinco – Cypress Hill.  You probably think I’m Insane in the Membrane for putting this group on the list.  But if you’ve been following this blog for very long you know we have a sense of humor here at Arizona Premiere Music.  I mean, come on Esse, don’t you know I’m loco? Plus, Cypress Hill is the premiere hispanic hip hop group selling 18 million records worldwide.  Here’s an example, just a little sample of the Hill’s lyrical prowesss:

http://www.youtube.com/watch?v=d12EI3xNiqE

Now go out and celebrate the Mexicans victory over the French in the Battle of Puebla. (Cinco de Mayo IS NOT Mexican Independence Day.)  And swallow the worm in our honor.

Proving once again that we do more than just show you the best deals in the Phoenix real estate market; we show you how to get the most out of living in Arizona, and try to help you get the most out of what you are listening to.

St. Patrick’s Day Special – Top 10 Irish Rock Bands/Artists

leprachaun

You would think a country with so much political strife and centuries of suppression would have more angry artists wanting to express their displeasure with the life they were handed.  But much to my chagrin this was a somewhat difficult list to compile.  I really had to stretch the definition of “Irish Rock” here.  Not all of the artists on the list are from Ireland.  As far as I know though, all of them are of Irish heritage.  As is the author of this post (Murphy, whooda thunk it eh?)

Anyway, let’s begin the countdown:

1. U2 – Come on. If you didn’t see this one coming from a mile away well, either you were hit over the head with a shillelagh or you’ve been in a salmonella induced haze from a bad batch of haggis.  Who else was going to top the list?

2. Van Morrison – Van the Man.  Although his best work is decades behind him Van has left an indelible impression upon the rock/pop scene.  From his days with Them (yes, that’s right Van was in a band at one time) to present day, the reclusive Morrison has stretched the boundaries of pop sensibilities.  Click here for a sampling of Van’s days with Them.

3. Thin Lizzy – One of the top American rockin’ bands of the 70’s.  Only thing is, they was Irish!  Fancy that Mr. Leprachaun. Phil Lynott fronted the boys from Dublin on bass and lead vocals.  Which was somewhat unusual for the time. Lynott being black AND Irish.  Nonetheless, their music can still be heard all over AOR radio stations and movie scores to this day. “Jailbreak” is my favorite.  Don’t be sittin’ ah too close to the speakers tho ah fer snakes becomin’ outchyer ears.

4. Boomtown Rats – Most famous for their lead singer, Bob Geldof, and his work with Band Aid/Live Aid and starring role in Pink Floyd’s “The Wall”.  However, in their short lived career the Rats put out some terrific music, most famously “I don’t like Mondays”.  Shave your eyebrows, feed the world and give a listen to one my favorite Boomtown Rats songs, “Up all night”.

5. Sinead O’Connor – Gained infamy on Saturday Night Live by tearing up a photo of the Pope.  But Sinead had some talent to go along with all of that pent up feminine rage.  Even before she recorded Prince’s “Nothing Compares 2U” Sinead wrote and performed some pretty rocking tunes, namely “Mandinka“.  Shave your head and give a listen.  (We Irish like to shave things.  Maybe it’s from all the sheep shearing we’ve done in our past lives.)

6. The Pogues – A true Irish band in every sense of the word.  Right down to the drunken lead singer.  The Pogues enjoyed some moderate success in the 90’s but alas their careers were cut short by the aforementioned love of the spirits by their lead singer, Shane McGowan.  Good times, good times.

7.  The Waterboys – A little known act from the 80’s.   Maybe more famous for the late 80’s spinoff band World Party.  One of my favorite songs from the 80’s was “Church not made with hands” by the Waterboys.  Give a listen and let me know if it boils your potatos too.

8. The Undertones – Again, another Irish band that had a more famous offshoot band (or two), Feargul Sharkey and That Petrol Motion.  Okay, maybe these two acts weren’t that famous to you, but I remember them both well.  And I’m the one writing the damn post, so go chop some cabbage.

9. The Dropkick Murphys – On the list mainly due to their name (notice the similarity to the author’s?).  Not truly an Irish band the Dropkicks are a bunch of guys from Boston who got together to meld their love of rock, punk, and Irish folk music into one heaping, steaming, corned beef laden musical kaleidescope.  You’ll probably recognize this song, “I’m Shipping up to Boston” from the movie “The Departed”.

10. House of Pain – I told you I had to stretttttcccccchhhhhh the definition of “Irish Rock Band” to compile the list.  The three leaf clover of talent know as House of Pain is most famous for their classic hip hop tune “Jump Around“.  Lead singer Everlast went on to have a quite a successful solo career as well after suffering a major heart attack at the ripe old age of 26.  Probably caused by too much Irish stew (mmmm, bacon and cabbage, who says we Irish can’t cook.)

So that’s it. Go pound a few pitchers of green beer, watch the Celts, and get in a barroom brawl with your best friend.  An authentic Irish St. Patty’s Day if I ever knew one.

Proving once again that we do more than just show you the best deals in the Phoenix real estate market; we show you how to get the most out of living in Arizona, and try to help you get the most out of what you are listening to.

15 Concerts in 15 Minutes (well, not exactly)

Recently, I was tagged on Facebook in a note that asked me to come up with 15 albums in 15 minutes – albums that were basically influential enough on me to make me change the way I looked at (or listened to) the world.  I think this is a great exercise, because if you are like me, you find that 15 albums is such a small allotment that it forces you to throw out a number of good albums in order to create a pretty concentrated list.  Rather than using this space for that list, you can see it here on our website.

 My cousin liked the Dead-leaning list and suggested that someone put a list together of Dead tunes along with a date for a favorite performance of that song.  I love the idea, so I will be working in collaboration here with him – he’s supplied the list of tunes, and I will now supply the dates.  I hope you enjoy (and I hope you know that I didn’t put this together in 15 minutes): 

  • Morning Dew – 08/06/71 – This is the way this song should sound.  This is not quite primal Dead – they’re starting to come into their own – but they really know how to build this one up.  Bravo.  LISTEN
  • Scarlet Begonias>Fire on the Mountain – 09/15/85 – This one was easy for me because this performance always blows me away.  The entire second set is a must have, but especially the Scarlet>Fire opener.  This one is silky smooth.  LISTEN
  • Peggy-O – 10/30/77 – This one was pretty easy too.  I’ve long loved this version first because it has some sentimental value based on where it was performed, my alma mater, but beyond that, it is the right arrangement of verses and instrumental breaks that gives this one a certain gravity that really conveys the message and meaning of this song.  Also a very good show.  LISTEN
  • They Love Each Other – 09/10/93 – This one was easy as well.  Two college roommates of mine were at this one and I have just always loved this version – Jerry really gets funky on this one.  If you are a Jackstraw fan, as I am, you cannot go without this show.  LISTEN
  • Althea – 07/19/90 – This is one of my favorite shows-perhaps because I’m a bit partial to the home turf, but both sets are just so solid.  Althea can be a snoozer for me, but this one is really well-played, and upbeat.  Please listen to this whole show though, and let me know what you think.  LISTEN
  • Row Jimmy – 06/10/90 – I really had to think about this one.  I’m not a huge fan of this song because it tends to drag for me, but this particular one’s got a bit of a bounce to it that moves it along quite nicely, and the interplay between Jerry and Brent at the end is very nice too.  LISTEN
  • Wharf Rat – 07/27/73 – I couldn’t resist this one.  The Wharf Rat is kind of the dessert to the famous Watkins Glen Soundcheck Jam.  If that doesn’t mean anything to you, lots of luck.  This Jam>>>Wharf Rat combination is otherworldly; that’s all I can say about it.  LISTEN
  • Help on the Way>Slipnot>Franklin’s Tower – 10/31/91 – This wasn’t my first choice which would have been the 08/13/75 version released as One from the Vault, but that would have been too easy.  This one has a certain intensity to it; in fact the whole show does, and I would definitely recommend sticking around and listening to the entire show.  LISTEN
  • Terrapin Station – 06/15/85 – I’ve always liked this one.  I thought about selecting another date, but the interplay between Jerry and Brent during the solo is ethereal, and despite his strung-out sound during that period, he manages to hit this one out of the park.  The outro from this one is very nice too.  LISTEN
  • Bertha – 07/08/78 – This one for me is so good because the band utilizes all of the different rhythmic qualities of the verse AND chorus, and they don’t just play it straight…Does that make sense?  Listen especially about half-way through Jerry’s solo.  This is a stellar version from a really stellar couple of shows that summer from Red Rocks.  LISTEN
  • Loser – 05/08/77 – Tough one.  Loser isn’t a song I’m typically looking for in a set, although it is one that is fun to play on the guitar, so I know why Jerry played it.  I have to admit that this one I didn’t choose so much for the performance of the song, but for the show itself.  If you follow the music, then you know this date pretty well, and this version just happens to be very tight and powerful.  LISTEN
  • Candyman – 10/14/80 – This too is a tough one.  Candyman is not the first song that comes to mind, but I do know that I like those early Brent versions of the song because of his ability to carry the harmony.  This is a nice quiet version of the song with a very laid-back pace to it.  LISTEN
  • Stella Blue – 10/14/83 – This is the last easy one on the list.  You’re either a Stella Blue fan or you aren’t, and I happen to be one, and I can say that I don’t know of a single other performance of this one that combines the loneliness and eeriness of the front end of this song with such a warm and redemptive ending.  Unfortunately, the AUD does not capture it like the SBD.  Update:  Well, it looks like you get the AUD you wanted; the concert has been released as a Dick’s Picks edition.  LISTEN
  • Goin’ Down the Road Feelin’ Bad – 02/20/71 – First of all, I love this one because it is the meat in a Not Fade Away sandwich, but the thing that makes this one smoke is how they work it out after the And We Bid You Goodnight instrumental part.  Truly a one-of-a-kind version as far as I’m concerned.  The Lovelight screams too.  LISTEN
  • Throwing Stones – 10/09/89 – This one’s a bit tough for me because I think of it more as a setup tune than anything else-a kind of appetizer to the main course.  Having said that though, I’ve always liked this one mainly because it carries the mood of this show into the final number.  It also happens to be one of my absolute favorite shows ever.  Talk about intensity.  That Dark Star is a monster.  LISTEN 

I loved doing this, but I’ve got songs that I’m curious to know what you think about.  If you are reading, please try and come up with some dates to put next to the following songs: 

  • Cumberland Blues
  • Dark Star
  • Let it Grow
  • Shakedown Street
  • Jack Straw
  • Black Peter
  • China>>>Rider
  • Cassidy
  • Sugaree
  • Viola Lee Blues
  • Uncle John’s Band

 Proving once again that we do more than just show you the best deals in the Phoenix real estate market; we show you how to get the most out of living in Arizona, and try to help you get the most out of what you are listening to.

Album Spotlight of the Week: The Steps

 The Steps

I’ve been listening to this album now for about the last 2 months and simply haven’t had an opportunity to review it, so here goes…finally.

We were asked to take a listen to this one by Ryan Cano, owner of The Loyalty Firm, and since it’s hard for us to turn down free music, how could we resist? …especially when he keeps sending us music like this (thanks Ryan, and keep it coming).

The Steps self-titled debut album sounds like less of a debut and more of an encore.  The songs definitely have a pop-friendly sound without sacrificing either substance or form.  They seem to work from a fairly standard song structure, but overlay some interesting chord changes and progressions that help twist this structure into something that makes them difficult to classify.  There is an edge to their music that is genuine rather than manufactured, and in an age where it has become increasingly difficult to tell whether a band REALLY looks or sounds the way they do, or if they’ve been told they should look and sound that way by some focus group, it is nice to see and hear the real thing.

Rather than just run through the album song by song, I’ll just say that there is plenty here for everyone.  There are lots of different sounds and influences that have been twisted and turned into something that is both current and relevant, and ultimately, something that I would recommend listening to.  It is easy to tell that their touring in Japan and the U.K. have helped to hone them into a very tight bunch in the studio, and that’s important to me –  anyone can sound great in the studio, but if you haven’t been tested on the road, you are just a one-dimensional studio band.  The recording quality, something I’m especially critical of, is also crisp and well-produced with plenty of punch, and it sounds great in the car. 

Enough talk, if you are interested in listening to the album go to The Steps MySpace page, or you can buy it on iTunes.  Give ‘em a listen, or go check them out live – when you are on their page, check out their tour schedule.  They sound great in the studio, but I can tell you that I for one will go see them live the next time they’re in town.

Proving once again that we are the guys who talk about more than just Phoenix real estate; we talk about the things we enjoy and the things we have a passion for, and we hope that, at the very least, you can see that.  We invite you to comment or to suggest other topics about which we have perhaps not yet spoken.  Thanks again for listening

Phish Live 12/30/93 – A Review

N.B.:  I have posted a link to listen to this show at the bottom of this review, but I would love if you read my review before you listen.  Thanks.

I’ve wanted to do this one for a long time, and besides, a live concert review is long overdue.  This has got to be one of my favorite live performances of all time by any band and this show on the night before new year’s eve at the Cumberland County Civic Center in Portland, ME captures this band at the height of their career.  I’ve talked about it before, but there are those nights when things just click and even mistakes made by members of the band seem to fit within the scheme of the music, and this one is no exception.

This is a period within the band’s career that is near and dear to my heart.  This is around the time I was first introduced to them, and in my opinion, this is technically the period of their greatest work.  This show is a snapshot of that time of a band firing on all cylinders and having fun doing it.  The band had the ability to re-invent themselves several times throughout their performing career, and I loved all of those changes, but this is my favorite:  Raw, witty, funny, carefree, and close to the audience. 

This venue seats 9,000, but I remember around that time seeing them in a venue that seated a mere 3,200.  In venues that size, you really felt like you knew the band, and it created this very intimate relationship and added a completely different element to those shows, much more so than the huge stadium shows from later in their career.  This is an element that is important to consider when listening to this show.

Set I.

This one eases into an incredibly clean David Bowie which smoothly quotes Aerosmith’s Dream On in a couple of spots.  The song happens to be one of my favorites anyway, but there are plenty of versions of this one I could do without.  This one captures the the energy of the band at an early point but is also a very well-performed version.

Weigh bounces along as a good first set foil to David Bowie.  Whoever knows what weigh is about, please let me know, but even not knowing is okay.  This one  comes from that strange place in Mike Gordon’s head and it rocks.

The Curtain>Sample in a Jar is error free, but the Paul and Silas is in overdrive and sizzles.  Trey’s work on the guitar is amazing, but John Fishman’s drumming makes it sound like 3 drummers are at work on stage.

Now that everyone is sufficiently warmed-up, the band uses Colonel Forbin’s Ascent to lead the crowd into Gamehendge, and then they cap that journey of with Mockingbird.  My description wouldn’t do it justice, so you’ve simply got to listen to it to know what I mean, but suffice it to say that it is one of my favorite live moments in my collection.  It really emphasizes the interaction between the band and the audience that was central to this concept of this act.

The Rift is blazing – one of my favorites – and the Bathtub Gin takes the end jam to an unbelievably fast crescendo before deconstucting the tune back down to a crawl.  You get the impression that they can’t make a mistake as you are listening to this one.

The first set ends with a riotous a capella rendition of Freebird that really speaks to the band’s sense of humor.  How can you not laugh when you listen to it?  …but it’s good too!  Please don’t take this one too seriously.

Set II.

The second set is a real roller coaster ride of songs daisy-chained together, and opens with a scorcher Also Sprach Zarathrusta; this is one you will definitely want to crank.  It’s hard to keep still while listening to this one in your car, so just get used to the people staring at you from their own cars and take comfort in the fact that your entertainment is likely better than theirs.

Next in line is Mike’s Song which would normally work right into Weekapaug Groove, but they’ve deftly tucked The Horse>Silent in the Morning combination which slows things down a bit before they pick them back up with a Punch You in the Eye>McGrupp combination and back into a Weekapaug Groove that you hope will not stop.  Everyone is popping at the same time and the music feels like it’s got a life of its own.

There is a nice little vocal jam at the end of Weekapaug that drags down into a great Purple Rain, perfect for all of you 80’s music fans out there, that ends with some more Phish humor, a Fishman-plays-Henrietta vacuum cleaner solo.

The band stops, tunes-up, and lights in on nothing short of a majestic Slave to the Traffic Light that works through its slightly reggae sound, into a short screaming guitar solo, and then stretches out into an ambient jam that culminates into a theme monumental enough to close this one out.

This one gets 2 encores if that tells you anything.  Rocky Top is the first and it is super-fast, but the one I really like is the Good Times/Bad Times.  About all I can say is that they take this one and make it their own.  This is definiteyly the exclamation point that this show deserves.

If you are going to listen to it, I encourage you to do it in one sitting and without distraction.  This is a show, like many live shows, that cannot really be judged by taking each individual song and listening to them as standalone songs.  Each song relies on the one before it and/or after it for contrast and mood and to listen to one song without listening to the next would be to listen out of context.

Reading my words is one thing, but they don’t do justice to the show itself.  It is one of my absolute favorites and it is in fairly regular rotation in my car because I don’t tire of it very easily.  So here you go Grasshopper, enjoy!

http://www.archive.org/serve/ph1993-12-30PortlandME/ph1993-12-30PortlandME.wma

Check out the setlist here

Well, I hope we haven’t bored you death, but please remember, we are the guys who talk about more than just Phoenix real estate; we talk about the things we enjoy and the things we have a passion for, and we hope that, at the very least, you can see that.  We invite you to comment or to suggest other topics about which we have perhaps not yet spoken.  Thanks again for listening. 

Punk rockers or flunky poseurs

punk-rockers

The punk rockers in my high school (including my sister and some of her friends) used to crack me up.  Punk rock was born out of rebellion. Anti-establishment.  The punk that became famous, ie. The Sex Pistols, Clash, and The Ramones was born out of economic distress and lack of opportunity and a backlash against the glitzy, shimmering scene of disco.  Which begs the question of those punks in my high school. What were you rebelling against while driving around in the BMW mom and dad passed down to you?

Anyway, I hasten to guess that most of the punks from my area had no idea of the origins of punk.  Namely bands like The Stooges, New York Dolls, and MC5.  Even songs like Led Zeppelin’s “Communication Breakdown” might be considered a precursor to the punk sound.  But the attitude was definitely spawned from the aforementioned Stooges and Dolls.

Songs like the Dolls “Mystery Girls” and the Stooges “1969″ laid the ground work for the sneering cynicism of the Sex Pistols and the reckless abandon of the Ramones.  And although they didn’t carry the punk images of piercings, spiked hair, and leather, David Johansen (aka Buster Poindexter) and Iggy Pop led the charge of pre-punk rebellion as much or more so than Johnny Rotten, Joey Ramone, and Joe Strummer.

So kids, (and my sister’s friends) before you go thinking you’ve created something new and revolutionary, know your history.  More than likely someone before was on top of the idea loooooonnnnng before you.

Here at Arizona Premier Living we do more than just show you the best deals in the Phoenix real estate market; we show you how to get the most out of living in Arizona, and try to help you get the most out of what you are listening to.

The Kinks – Most underappreciated band ever.

the-kinks

Sometimes here at Arizona Premiere Music we comprise lists, sometimes we write about favorite albums, or critique albums, or post helpful links to sites we think you might enjoy.  But I believe this is the first post written entirely about one band. This is a post I’ve been meaning to write for a while now.  Finally I got around to it.

The Kinks came on the U.S. scene right around the same time as the Beatles, Stones, The Who, and the slew of other “British Invasion” bands of the early to mid 60’s.  They enter with a bang with their seminal hit “You Really Got Me.”  Dave Davies fuzz tone guitar and brother Ray’s sneering lyrics set the tone for what would later be dubbed “punk rock”.

But beyond the initial success of “You Really Got Me” the Kinks embarked on a career that was forever in the shadows of their more popular counterparts.  Although not know for the classic album compilations like the Stones, Beatles, Who, and Zeppelin,  they produced a formidable volume of hits, classics, and esoteric music, and enjoyed one of the longest running career of any band in Rock n’ Roll history. Spanning four decades from 1963 to 1996.

Some their early hits included  “All Day and All of the Night” (similar sound to “You Really Got Me”),  “Tired of Waiting for You”, “Well Respected Man“, “Dedicated Follower of Fashion“, and “Sunny Afternoon”.  All of which are in steady rotation on classic rock stations throughout the country or in use in various television product commercials.

But like most bands that came over the pond The Kinks really started to hit their artistic stride toward the end of the 60’s and into the 70’s. releasing such classics in varied styles as “Picture Book”, “Lola”, “Ape Man“, “Waterloo Sunset”, “Victoria” and “20th Century Man”.

Throughout the remainder of the 70’s and into the 80’s The Kinks would pop up with a song here and there that would grab your attention.  These included “Juke Box Music“, “Life Goes On“, “Sleepwalker”, “Superman”, “Father Christmas”, “Rock n Roll Fantasy”, “Destroyer“, “Art Lover“, “Come Dancing” and “Do It Again”.

During this latter period in their career The Kinks enjoyed a resurgence in popularity having “You Really Got Me” covered by Van Halen, appearing on Saturday Night Live several times, and being recognized by the punk and new wave bands as a major influence on their music.

In the end, although it’s hard to compare The Kinks to the Beatles, Stones, and Zeppelin, I do believe they are one of the more important bands in rock n roll history, but are often overlooked and underappreciated.

Here at Arizona Premier Living we do more than just show you the best deals in the Phoenix real estate market; we show you how to get the most out of living in Arizona, and try to help you get the most out of what you are listening to.